Originating from Alsace, I studied violin making in England, at the Newark International School of Violin Making.
After graduating, I worked and collaborated with several celebrated violin makers in France and Spain but I also worked for an assistance company as well as in vinyards.
I started my training in the professional bow making and repairing trade with Jean Grunberger, during Aladfi trainings, and with Michel Jamonneau ; both world renowned masters of bowmaking.
As from May 2021 I welcome you in the center of Le Mans, France, in my workshop within a coworking center. I chose this address for the lovely working space I occupy and for the social moments I can share on regularly with my coworkers.
A bow, like the instrument it accompanies, wears with time. It requires an annual check up ; to be repaired or simply because of the natural wear for some parts.
I take time with you to examine your bow, assess your needs as a musician and then establish a quotation for the work needed.
My job is to make sure that your bow, through my hands is rejouvenated. Whether a classic bow rehair or a new head plate is needed, checking the mother of pearl or the lapping, I will also check on camber or balance issues.
Creating a bow starts with a raw piece of wood. This wood is being sawn into the form of a stick that I then shape using planes, files, knives… The bow stick is then cambered, pierced and the frog and head plate are adjusted to it.
At that stage, a first hair is put on to try the bow so I can then go back to shaping the stick some more
I am still learning the lifelong art of making a bow but here is how I see my job :
Making a new bow requires exploring the needs of its future owner. I take the time to test the bow on your instrument at my workshop. If necessary, I return it to the bench to get a result that matches your needs as the musician and my obligations as the maker.
Each wood being different, each bow is different and unique.